In recent years, the art form has started to be reconsidered, though the primary theories of shape, line, and form still ring true.
Studio Brasch, led by Anders Brasch-Willumsen, has been posting some interesting pieces on their Instagram called “Digibana,” which are described as a “futuristic ikebana practice where moments of beauty are created and preserved only by a constant stream of likes and shares.
If ikebana is informed by modern and emphasizes a connection to nature, can that nature truly be represented digitally?
I do like that Brasch-Willumsen’s explorations range the gamut from realistic to synthetic, crafting these delicate objects which are beautifully unnatural.