He has a fan in the little, curious son of his housekeeper, who is the inspiration behind the recovery of the facts of his last case that has been gathering dust of time, veiled in the film of guilt, the sins of his immense and rare intellect.
Bees occupy a large portion of cinematic space, and although we see an unfortunate incident at the end, we witness the death of nature, literally, metaphorically, while the wasp nest burns- the primordial debate among naturalists and horticulturists on weed and herbs.
Mrs. Munro of Holmes as a father figure, and to her son’s interest in bee-keeping; Roger, of the varied and curious ways of intellect and simplicity, and Holmes Jr., who accepts the experiences of life, accepting to be lonely no more.
We also see momentary release of guilt when he completes the story, chooses to bestow kindness on a grieving family by concocting a fictional encounter with Umezaki Sr. and also comes in terms with the estrangement and death of his dear Dr. Watson.