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A handful of musicians—on the mandolin, the banjo, the fiddle, more bluegrass than the traditional, big-band orchestration—sit onstage, watching and reacting to the action. Actors enter and exit the barn-like auditorium through the same doors as the audience
Founded in 2003, the Red Bull Theater has long been a space space for the Jacobean playwrights who are often ignored by revival companies in favor of their precedessor, Shakespeare. In recent years, the company has added contemporary works to its roster, including Loot and The Mystery of Irma Vep, but it is nice to see it return to its roots with John Webster’s poison-happy The White Devil, a revenge tragedy that premiered in 1612 at the very theater for which the Red Bull is named
“In spite of what some people think, this show is actually quite carefully constructed,” Heidi Schreck says about one-third of the way into her play What the Constitution Means to Me. Audiences might be forgiven for thinking otherwise
Leo (Daveed Diggs), an artist living in an unnamed metropolitan city, has been plagued by insomnia since childhood. His best friend, Ralph (Thomas Sadoski), bought him a white noise machine once, and while it helped Leo sleep, it blocked him artistically