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Creative Director, Graphic Designer and freelance donut assassin. London

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Highlights
Iconic Classic

According to a veritable source (the stars apparently, mostly evangelised by my wide-eyed, annoyingly brainy copywriter Zana), my Libra moons means that I’m fiercely just and favour balance. The added tinge of serenity comes from the innate luxury of our immediate surroundings: Think camel leather, intricate woodwork and a hand-stitched steering wheel. As you climb onto the leather seat, a warm and comforting sensation wraps your entire being like an all-encompassing hug – much like toting a Bentley Collection leather jacket. The mixing, blending, balancing, mélanging continues as we’re exposed to a Bentley Collection jacket being nursed into form at Meindl that very much resembles the sturdy and stoic vehicle… in an alternate form.

The St. Regis Maldives

I mean it literally, the phenomenon of returning to a blissful time when you could rely on a respectable adult to attend to your every whim (mama? papa? ), much like the personalised butler you’re assigned at St. Regis Soothing is a word invented for St. Regis Maldives, from the buttery warm sea breeze, to the check-in that does NOT require awkward feet-shifting at a reception desk as a ponytailed staff tries copying down your married (Polish, mind) name. There’s an acute focus on sea life, nature and an eco-conscious aesthetic home to St. Regis Maldives as opposed to the overused ‘Robinson Crusoe luxury escape’ theme so commonly associated with the Maldives. In fact, it’s the smaller details that make St. Regis Maldives stand out from the rest: wooden ceilings incorporating traditional Maldivian craftsmanship, coral chandeliers and headboards made of recycled glasses beads that sparkle in the natural sunlight, all streamlined by WOW Architects ׀

New Rock & Roll

I’ve been nursing a serious case of ennui in the form of a writer’s block for the better half of the past year – and yes I know, one needs to be a writer to have ‘writer’s block’ (does Ex-blogger-slash-self-proclaimed-CEO-of-Internet Block go down better? ). Articles here are usually fuelled by what I’m sure is an illegal amount of caffeine and a cursory re-reading of the ENTIRE blog archive*; mostly to spark any sort of desperate magic that places words onto paper, but also to remind my jaded self of the joy and elation I once used to feel when sharing my thoughts online, way back when. The rockstar confidence of the two 2018 Tu scholarship graduate collection winners, Amy Vanderwal (menswear) and Laura Gillings (womenswear), inspires this second story we shot for Tu Clothing, that seeks to celebrate youth, tenacity and charisma. This year, Vanderwal, mentored by Oliver Spencer, takes inspiration from punk, Vivienne Westwood and The New Gypsies; while Gillings, mentored by Henry Holland, delve into lush androgynous tailoring as shared between the Rolling Stones and their girlfriends.

Something Borrowed

What’s it called when you hit a certain age (or ‘life stage’, given age does not equate experience) and you’ve tried everything at least once and nothing truly phases you anymore, or makes you tingle, or rouses those wild butterflies in your stomach? It all started with a teenage ploy around Y2K to seem socially ‘cooler’, to appear as though opportunities should be grateful to have found my divine, supple presence. When frazzled nerves meet performer’s adrenaline, as years of experimentation is combed into artistically/commercially viable collection, then presented on a stage… all of this generates a sort of zing that keeps the jaded industry feel something again. This, my second year of supporting the Tu scholarship collection, is in part a selfish way of reminding myself of the sparkle – wedging myself into the pie, for which the main ingredient is young talent, a spoonful of zeal, a dash of rock & roll and mentoring by way of Henry Holland.

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