Karama Horne

I spoke with the director Tim Story (Fantastic Four, SHAFT) and one of the starts Chlöe Grace Moretz (Kick-Ass, The Fifth Wave) about the new Warner Brothers Movie and how they really wanted to stay true to the original animation by using 2D effects, motion capture and a clever new piece of software that mimics hand-drawn movements. I went back to the original animated short, and the rules are, Tom and Jerry didn’t talk. Click below to watch the full interview on youtube, or click here to see it on IGTV.! Don’t forget to check out my other interviews on theblerdgurlLIVE and theblerdgurl podcast.

Discovery executive producer and Creator Alex Kurtzman along with co-executive producer and director Olatunde Osunsanmi. So I’m really really excited to bring you this episode because, since the season 3 finale dropped, we were free to talk about the whole season. We talked about everything from how the pandemic has affected production, to saying goodbye to Michelle Yeoh’s character Georgiou, even directing Doug Jones out of makeup, and the future of the Federation. Or, screenshot your podcatcher and tag theblerdgurl over on IG stories with what you liked about it!

I had an amazing chat with David Ajala, the new star of Star Trek: He plays Cleveland Booker, the rogue pilot that Michael Burnham (Sonequa Martin-Green) meets when she crash lands in the future after the events of the season 2 finale. And he starred as Manchester Black on Supergirl and as the elusive Captain Roy Eros on SYFY’s Nightflyers. He’s also had guest-starring roles on Black Mirror and

The stone grants three wishes at first, Minerva accidentally receives a version of Diana’s powers, Diana inadvertently brings back Steve Trevor’s soul, and Max finds a way to draw power directly from the stone itself, sending him on his quest to take over the world. Max and Minerva ultimately team up against Diana and Steve over their shared anxiety of losing popularity, power and peroxide. Unfortunately, we spent so much time on Steve and Diana’s “sort of” relationship, and the retelling of Diana’s origins and Lord’s emotional state, that there didn’t seem to be enough time to give Minerva the development the character deserved. Some missteps, like the all-white breakdance crew on a corner (we literally invented breakdancing in the ‘80s) or Max’s dreadlocked assistant (we weren’t allowed to wear locs in business settings back then), don’t affect the plot but pulled me out of the story momentarily.